Contemptuous about contemporary photography? Asleep looking at art photography? Bemused by the accompanying pretentious prose? How bad can it get? See below.
Showing posts with label ***. Show all posts
Showing posts with label ***. Show all posts
25 April 2011
from 'Vexataions' by Martin Maier
(Copyright - Martin Maier)
"Vexations is a project that accounts for a junk internet culture""
I do not wish to dislcose whether these images are staged photography, reportage or documentary photography."
Shortlisted, Terry O'Neill Award, 2010.
4 January 2011
From Testimonio by Simon Head
(Copyright - Simon Head)
(Copyright - Simon Head)
"I found a front view and exposed the negative - took copious notes of the measurements from camera to subject, and subject position in the ground glass of my view camera - then moved to a side view... ...the relationship between self and environmental motion appeared to be duplicated when looking at this rough photographic information placed in an isometric composition."
Paltryphotography translation: I took a shot of a building and then moved round the side of it and took another shot.
Published in Flip, the magazine of the group, 'London Independent Photography', Winter 2010.
5 November 2009
Lehman Brothers 92-08 by Michael Najjar
(Copyright - Michael Najjar)
"(His) photographs take impressive cliff and rock formations to exemplify the development of leading stock exchange indices over the past 20 - 30 years. Like blueprints Najjar suspends the performance charts of such indices as the Dow Jones, Hang Seng, Nikkei and Dax over the mountain peaks, and changes the natural course of mountain borderlines, pairing pure natural beauty with the development of the global financial system."
Exhibited at Bitforms Gallery, New York.
sans titre by Ralph Gibson
(Copyright by Ralph Gibson)
"Says Gibson, "A Photographer once said that beauty in women is endless.
Perhaps it was I who said it. In fact, I remember distinctly having done so...and the thought persists to this day. We stare in the psychological mirror of the human body with a fascination that endures indefinitely. At least art history indicated this to be so. The Willendorf Venus is said to date from 25,000 BC...that is a old enough for me to believe in the subject."
Exhibited at Photo 4, Paris.
11 December 2008
Russkie #24 by Anastasia Khoroshilova
*
(copyright - Anastasia Khoroshilova)
"Anastasia Khoroshilova's vision as a photographer is characterised by the immediacy of her creative path. This path is indivisible from her personal life, from the drama of her biography, which is connected to the socio-cultural "wanderings" of the artist. Anastasia Khoroshilova encounters the people, things and landscapes in her photography at eye level. She never takes recourse to unusual perspectives, shooting from above or below. Khoroshilova shows us people at eye level, but she does not unmask them; she never gets too close."
Exhibited at Moscow Museum of Modern Art.
(copyright - Anastasia Khoroshilova)"Anastasia Khoroshilova's vision as a photographer is characterised by the immediacy of her creative path. This path is indivisible from her personal life, from the drama of her biography, which is connected to the socio-cultural "wanderings" of the artist. Anastasia Khoroshilova encounters the people, things and landscapes in her photography at eye level. She never takes recourse to unusual perspectives, shooting from above or below. Khoroshilova shows us people at eye level, but she does not unmask them; she never gets too close."
Exhibited at Moscow Museum of Modern Art.
24 February 2008
BMW by Jacqueline Hassink

(copyright - Jacqueline Hassink)
“Jacqueline Hassink (The Netherlands, 1966). Since 1993 Hassink has created photographic series about the global economy in collaboration with multinational corporations. Projects such as The Table of Power (1993-1995) or Arab Domains (2005-2006) explore the force of economic power. Hassink has given classes at Harvard University and the International Center of Photography in New York.” (PhotoEspaña/Campus PHE)
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