Contemptuous about contemporary photography? Asleep looking at art photography? Bemused by the accompanying pretentious prose? How bad can it get? See below.

26 April 2011

Roundabout, Andersonstown, Belfast by Paul Graham

















(Copyright - Paul Graham)

"..it was this photograph that set the tone for what was to come. Whilst standing by the roadside with his medium format camera in hand, a British Army patrol approached him and asked what he was doing, whilst making it clear he should take no more pictures. But his instincts took over and he made this frame as the patrol left the scene. You can see the soldiers running off down the road on the right, with one still on the roundabout.

At the time he didn't realise its significance. It was only when he was looking through his negatives that he realised this was his breakthrough picture, one which offered a gateway to the story. His style was now set, it would be anti-surveillance, turning the camera from a device that focuses in on the most important part of the frame, to one that captures the wider view and pushes the viewer to seek out the significance of the picture."

From the blog of Phil Coomes, BBC Picture Editor.