(copyright by Mark Kimber)
"Kimber is compelled to find "situations where the play of light, form and landscape converge in time and space to create an elusive and ephemeral piece of theatre." To produce EDGELAND he changed cameras, this time using a high definition model and shooting at dusk, the edge of the day. The intense colour of the twilight sky mixes with the artificial lights of the night. The car parks, containers and buildings become poetic summaries of themselves. The street and building lights that proliferate in his scenes are like beacons, calling our attention to details, which we would, in the bright light of day, disregard. Despite the lack of human actors, the lights suggest a stage waiting for the performers to return, with the sun."
Exhibited at the Stills Gallery, Sydney.
